"The more voices the better!" A wonderful young feminist writes

I am a young women who has always been a feminist but only recently has really started educating myself more in the history of the movement and as such am trying to read lots to better my understanding of the many issues involved.

I am trying hard to stay positive but it is depressing to find that after so many years, it really feels like in much of the world - steps backwards are being taken at the moment! 

For my age group (I am 24) the most shocking thing for me is how many of my peers don't even recognise sexism around them. They don't identify with feminism because they no longer believe it is relevant. A whole generation (and generations to come) are being brainwashed into accepting 'low-level' sexism (adverts, 'jokes') which is quietly feeding into a culture where a woman is usually blamed for the bad things that happen to her - right up to rape! The amount of women who believe some of the fault of rape lies with the victim is astonishing. How is this the case in the 21st century. 

I could go on and on but there's obviously no need to preach this you. But, well, I just want to share with you that I see there is no difficulty in getting women my age to stand up and shout and fight against the injustices they see - the terrifying issue is really that many don't see what is happening to them in the home, in work, through the media, by our government as even is affecting them let alone oppressing them. I see that as the big issue in keeping the fight for women's rights alive and kicking (and taking steps FORWARD) in my generation.

I replied:

OK, first off, the book [I recommended at an event] is by Lydia Cacho and it's called Slavery Inc. It's not quite autobiographical, more of an investigative study - but she's an absolutely amazing woman. The publishers' blurb is here: http://portobellobooks.com/slavery-inc If you ever get the chance to see her talk, she is fab - hilarious, cool, inspiring. If you read Spanish (or other languages) her previous book was called Demons of Eden, about child trafficking and child abuse amongst the Latin American elite (politicians, cultural leaders, business leaders). Again, unmissable but saddening. 

The very fact that you're writing to me and articulating everything so brilliantly gives me total hope - many, many women of all ages feel as we do and we're in the middle of a great groundswell of activism, thinking, talking about gender (and confronting the really hard stuff: rape, other kinds of violence. We just notice the ones who don't because we want to hit them over the head with a frying pan to get them to see sense! The world has only ever been changed by a small minority of people who feel strongly about things - we must make the change for everyone and our daughters and sons will thank us! But yes, of course I too feel despairing when I see complacency - because the adverts, the jokes, the casual sexism of course all create a culture where we view rape and other violence as par for the course, even natural and inevitable, and consequently we blame victims and are lenient to perpetrators.... 

Sigh.... 

...But seeing so many amazing women of all ages in the audience actually lifted my heart, Come again! And, reading-wise, I'm sure you know all this stuff but....

• The Whole Woman, Germaine Greer
• Delusions of Gender, Cordelia Fine (amazing)
• Female Chauvinist Pigs, Ariel Levy
• The Equality Illusion by Kat Banyard
• Anything by Catherine MacKinnon
• Anything by Aisha Gill
• Manifesta by Jennifer Baumgardner and Amy Richards 

I wondered if you might let me excerpt a bit of your email anonymous for my blog? It articulates your ideas so well and will I'm sure strike a chord with many readers.

She answered:

Of course you can use anything from my email. I absolutely will be getting involved in more talks, lectures etc. 

A few years ago I read From Madness to Mutiny, about the American family law system - my mother went through absolute hell through that system. She quickly learnt that the worst thing you can do is tell the truth about an abusive relationship. Divorce and try for custody on any other grounds but mention abuse and you anger the (male) judges - my mother had to go on the run. So here we now are in Britain (all legal and safe now I should add) all settled now, but my early years spent in women's refuges and living (pretty much hiding) out in countryside communes. My mother - a city girl through and through learnt to work the land; pick fruit, chop wood and get by... She is amazing! 

I read Who Cooked the Last Supper, fairly recently and that has sort of spurred me on to get cracking on further reading and really get involved. 

With the legal aid situation and how that's going - women and children are at even greater risk in many situations. It's such an important topic - but not a 'sexy' one for the media to cover! 

Police - well when you've got Scotland Yard Chief Sir Bernard Hogan-Lowe saying that members of the Sapphire unit pressurising rape victims to drop statements in 2008 and 2009 is a 'relatively historic' issue! Oh my - my jaw dropped to the floor watching that interview on channel 4 a few days ago. If someone had done a robbery, or hit and run etc but the crime had been buried - but then brought to light a few years later - the police wouldn't say - oh well that's just history now. You'd find the person who ran someone over leaving them disabled for the rest of their life! You would find them and charge them! These women are scarred for the rest of their life and a CRIME took place. Man it boils my blood. It is completely irresponsible and SICK that a chief of police in 2013 went on television to completely disregard rape victims because it took place a few years ago. I couldn't believe what I was seeing. 

When asked about the officers in charge who got promoted after and what action should be taken against them - basically nothing; 'It's an unfortunate symbol' - any other crime, if police officers pressured a victim/witness to back down from a statement this would be taken seriously. 

Sorry I'm sure you are well aware of this happening the other night but I just could not believe it. If that's the attitude at the top.... 

Also, the fact they aren't even bright enough to cover up their misogyny - oh god - or is it worse that they don't even know they're doing it. How can they possibly help women when don't even understand that anything has really happened to them. 

Right - rant over! 

I'm off to buy books and read and get motivated! 

Use anything I've said - the more voices heard the better!

"Nothing for us, without us." Women rise in Afghanistan, Malawi, Nepal, Zambia, Zimbabwe and Ghana.

In February Womankind Worldwide welcomed their partner women’s rights activists from Africa and Asia to London to share their experiences and expertise of women’s leadership and political participation. Further images from the day, all taken by Abi Moore, can be viewed at the bottom of this article.

At the Emmeline Pankhurst statue with Seema Malhotra MP

From countries as diverse as Afghanistan, Ghana, Nepal and Zimbabwe, participants faced a similar challenge – how to overcome the exclusion of women from political and public life.  Despite their different contexts, cultures and political systems, the women highlighted some common problems and common solutions.

Women’s voices must be heard from every corner and at every level. Women are not a homogenous group, and their participation in politics must reflect their diversity.  Durga Sob, founder of the Feminist Dalit Organisation of Nepal said, 

“Dalit women are doubly discriminated against in political parties – Dalit forums are run by Dalit men, and women’s wings of parties are run by ‘high-caste’ women."  

Young women, disabled women, women from ethnic and religious minorities often face multiple barriers to accessing decision-making spaces, and they must be supported.

The women were united in their commitment to focusing on local as well as national politics. Local level is where many of the decisions affecting women’s daily lives are made, and as Wangechi Wachira from Kenya’s Centre for Rights and Awareness said, 

“to be a leader, it starts at family level, and then changes happen at community level.”

 Civil society, and in particular women’s right organisations, provide fertile training ground for women’s leadership, and enable women’s voices to be heard.  Maryam Rahmani, of Afghan Women’s Resource Centre, said,  

“we need to find space for women to speak about the issues that affect them, even when it’s difficult." 

In Afghanistan, where 87% of women have experienced some form of violence, and women activists and politicians are routinely threatened, attacked and killed, this work is vital and dangerous.

Women’s rights organisations help to build women’s confidence and skills, create opportunities and access to political spheres. When women do get into positions of influence and power they are supported to negotiate corridors of power, build networks, and advance women's rights.

The activists were unanimous in the need for affirmative action to level the playing field between women and men.  Whether through political parties, reserved seats or quota systems, the only countries that have made significant progress are those that have taken specific measures.  And compared to those countries, the UK does not perform well.  In Afghanistan 28% of MPs are women, in Rwanda it’s 56% and Mozambique 43%, compared to the UK’s paltry 22%. 

The voices of women from all walks of life need to be heard in all places of power. From community forums to the halls of national parliaments, and on the international stage, as Fanny Chirisa from Zimbabwe’s Women in Politics Support Unit said, 

“Nothing for us, without us."

*****

The organisations attending were as follows:

• Afghanistan: Afghan Women Resource Centre (AWRC)

The Afghan Women Resource Centre provides practical education to girls and women who were forbidden to learn under the Taliban.Their programmes allow women to learn in a safe environment, with a focus on vocational subjects including journalism, business skills and tailoring, in order for women to be able to earn an income and live independently. They also teach literacy, civil & political rights, and women & family law.

Attending: Maryam Rahmani, Country Representative. Maryam got involved with AWRC by doing short management courses when she was at school in Peshawar, Pakistan. In late 2002 her family came back to Afghanistan, where AWRC had opened a sub-office, where she began working. In the meantime Maryam passed her exams and joined Kabul University, eventually graduating with an economics degree in 2007. The
university faculty board wanted to recruit Maryam as assistant to a professor but only on the condition that she left AWRC. Maryam refused as she wanted to continue helping women.

- Case study 1: Campaign: Don't Silence Afghan Women

- Case study 2:  Take Action to Help Afghan Women

• Malawi: National Women’s Lobby Group (NAWOLG)

Potential female political candidates in Malawi often struggle with lack of funds, social pressures to stay at home and patriarchal political organisations. NAWOLG’s goal is to get more women to become involved in the democratic process as voters and representatives. It has a team of professionals specialising in gender, human rights and civic education issues, who help provide training and support to women inside and outside of politics.

Partners attending: Faustace Chirwa, Founder/Executive Director. A gender and women’s rights activist for 17 years, Faustace continues to promote women’s participation in the socio-economic development of Malawi and in political decision making.

And Atupele Chirwa, Acting Executive Director. Atupele started off volunteering with NAWOLG in 2003 and is now acting Executive Director. She focuses on sexual reproductive health and rights issues of young people in Malawi.

• Nepal: Feminist Dalit Organization (FEDO)

The Feminist Dalit Organization was founded in 1994 by a group of Dalit (low caste) women aiming to fight for their rights and overturn caste and gender discrimination which causes women and especially Dalit women to be treated as second class citizens facing very high levels of sexual and domestic violence. FEDO educates women on their rights, offers counselling and organises mass protests and community events to raise awareness.

Partner attending: Durga Sob - FEDO. Durga Sob is a Dalit woman who founded the Feminist Dalit Organisation in 1994 to combat caste and gender-based discrimination in Nepal. Durga is renowned as a passionate feminist and activist in defending the rights of Dalit women in Nepal. She says,

“There used to be no Dalit women in positions of power. Now 25 Dalit women have been
elected as members of the Constituent Assembly and this is one my happiest achievements”.

- Case study: Pabitra's Story

- Example of the kind of context they’re working in:  Women Human Rights Defenders Beaten and Detained

• Zambia: National Women’s Lobby (ZNWL)

ZNWL aims to promote the representation and participation of women at all levels of decision-making through lobbying, advocacy and capacity-building. It provides education, runs community forums, provides leadership courses in schools to boys and girls through their innovative ‘Girl’s Leadership Clubs’, monitors elections and provides support to women involved in politics, for example through Women’s Radio Clubs, supporting isolated rural women to gather to listen to news about politics and current affairs and discuss together so that they’re better equipped to take part in the democratic process.

Partners attending: Juliet Kaira Chibuta, Executive Director. Juliet is a development specialist and a journalist by trade. She worked for national print media organizations including the Zambia Daily Mail and National Mirror where she held various positions including editor. Ms Chibuta has also sat on various boards of media and women’s organisations.

And Beauty Katebe, National Chairperson. Beauty is a human resource expert and works in Zambia’s Ministry of Health. She has vast experience in women and youth issues, democratic processes, capacity building of women, governance and elections issues. She is the current National Women Council Chairperson of the Agriculture, Technical and Professional Union of Zambia.

- Example project More Than Education for Girls

• Zimbabwe: Women in Politics Support Unit (WiPSU)

The Women in Politics Support Unit (WIPSU) provides support to women in politics in Zimbabwe to help increase their participation and influence. It does this by providing leadership and election training for candidates; educates women MPs and councillors about their roles, connecting them with female constituents; organises community forums; and lobbies political parties to implement gender quotas.

Partner attending: Fanny Chirisa, Director. Born in Mutare, Fanny has worked with The Federation of African Women’s Clubs, The Voluntary Organizations in Community Enterprise, Red Banner, Zimbabwe Women’s Resource Center & Network and WiPSU. During the outreach process of the current Zimbabwean Constitutional Reform Process, Fanny was invited to be team leader representing civil society.
They led teams of reporters capturing the views of citizens across the country.

- Case study: Not Service But Power

• Ghana: Women in Law and Development in Africa (WiLDAF)

Since its inception in Harare, Zimbabwe, in 1990, the network has grown to encompass 31 countries, 500 organisations and more than 1,200 individual members. At the national and international levels, the WiLDAF network lobbies for laws that promote women's rights. In Ghana, WiLDAF offers free legal counselling as well as training in legal literacy.

Partners attending: Bernice Sam, Executive Director (Ghana branch). Bernice Sam is a lawyer and human rights activist. She spearheads the campaign for the participation of vulnerable groups in democratic processes including organising women’s dialogues with presidential candidates. She also led the struggle for the protection of the rights of people in non-formalised relationships. Bernice has written and co-authored books on HIV/AIDS, violence against women and the property rights of women.

And Frank Bodza, Programme Manager for Governance (Ghana). Frank has more than nine years’ experience in both local and national governance; having worked with an MP for four years prior to joining WiLDAF in 2005. He is a gender and human rights activist who had carried out numerous public education programmes on women’s rights issues. He is experienced in capacity-building, mobilization, networking and coalition-building and was part of groups that observed the December 2012 general elections in Ghana. He is married with two children.

Richard Sam, Programme Assistant for Governance (Ghana). Richard did his national service with the Ministry of Local Government and Rural Development for one and half years before joining WiLDAF in 2009. He is a volunteer from WiLDAF Ghana on the Coalition of Domestic Elections Observers (CODEO) and the Civic Forum Initiative. Both groups have observed various elections including the December 2012 general elections in Ghana.

- Case study:  Ghana Elections: Time for Women to Rise, Not Fall

- Context can be found here.

• Ghana: The Gender Studies and Human Rights Documentation Centre (GSHRDC)

The Gender Studies and Human Rights Documentation Centre works to promote and protect women’s rights, running a number of projects in rural Ghana working to end violence against women and reduce women’s vulnerability to HIV infection.

Partners attending: Dorcas Coker-Appiah, Executive Director. Dorcas Coker-Appiah is a lawyer by profession and a feminist. She is a women’s rights activist in Ghana and a member of a number of women’s rights organisations. Dorcas has a lot of international experience, having served two terms as a member of the United Nations Committee on the Elimination of Discrimination against Women.

- On work to end the practice of ‘widow inheritance’ read this piece here.

• Kenya: Center for Rights Education and Awareness (CREAW)

CREAW’s mission is to transform Kenyan society through the promotion and expansion of women’s human rights, rule of law and social justice. They provide legal aid and health services to thousands of female survivors of rape and domestic violence, produce informative radio shows and give training and support to community organisations.

Partner attending: Wangechi Wachira, Executive Director. Wangechi Wachira has more than 10 years of experience in senior management. She has experience in lobbying and advocacy, gender integration and inclusion, human rights and development issues.

- More info here on the Center for Rights Education and Awareness

Dorcas Coker Appiah 

Atupele Chirwa

Fanny Chirisa

Frank Bodza

Faustace Chirwa

Maryam Rahmani

Wangechi Wachira

A special post (c) Sarah Jackson at Womankind Worldwide with enormous gratitude and admiration

1950s art heroine Barbara Jones celebrated by the Whitechapel Gallery

The Whitechapel Gallery presents a new archive display revisiting the Gallery’s 1951 exhibition Black Eyes and Lemonade. Coinciding with the Festival of Britain, the exhibition challenged established ideas about the cultural value attached to particular kinds of objects. Celebrating everyday items, from the traditional and the handmade to the mass produced, it included lavishly decorated pub mirrors, an edible model of St Paul’s Cathedral and a talking lemon advertising Idris lemon squash.

This presentation at the Whitechapel Gallery includes several of the original exhibits from 1951, including the fireplace in the shape of an Airedale dog, alongside unseen archive material from the University of Brighton Design Archives, the Vogue Archives and the Whitechapel Gallery Archive. Re-examining Black Eyes and Lemonade over half a century after it was originally staged, the exhibition looks afresh at the presentation and curation of popular art.

Entitled Black Eyes and Lemonade, after the Thomas Moore poem Intercepted Letters or The Two-Penny Post Bag (1813), the original exhibition explored topics including advertising, toys, festivities and souvenirs and featured ship figureheads, old Valentines, quilts and Salvation Army uniforms. All the exhibits shown were made or manufactured in Britain.

The 1951 exhibition was organised by artist, designer and writer Barbara Jones. It was divided into categories such as Home, Birth-Marriage-Death, Man’s Own Image and Commerce & Industry, reflecting Jones’s ideas on popular art and museum culture and questioning the cultural values attached to both handmade and machine made objects. Stating that ‘the museum eye must be abandoned’, Jones created a provocative spectacle which posed challenging questions about hierarchies of value, making and manufacturing as well as consumption while championing the judgement of makers, collectors and consumers.

Many of the items included in the exhibition came from Jones’s own collection acquired during travels, from bazaars, second-hand shops, and directly from makers. Further exhibits were sourced during a road trip in June 1951 that Jones made in a converted London taxi with her co-organiser Tom Ingram. This presentation features material from Jones’s surviving studio, highlighting her innovative curatorial approach and the connections she was able to draw across images and objects.

The exhibition is part of the Whitechapel Gallery’s dedicated programme curating archives of individual artists or institutions. The exhibition is co-curated with director of the Museum of British Folklore, Simon Costin, design historian Catherine Moriarty and Curator, Archive Gallery, Whitechapel Gallery, Nayia Yiakoumaki.

Notes:

• Barbara Jones (1912-1978) studied mural decoration at the Royal College of Art. She was a designer, book illustrator and artist. During World War II she was associated with theRecording Britain project of the Pilgrim Trust. Jones painted murals for the post-war Britain Can Make It exhibition of 1947 and the 1951 Festival of Britain exhibition. Her mural designs were commissioned to decorate several passenger liner ships as well as hotels and restaurants. The same year she curated the Black Eyes and Lemonade show, she published her influential book The Unsophisticated Arts (1951). Jones was also involved in designing the sets for television series The Woodentops.
• The exhibition is co-curated with museum director, Simon Costin, design historian Catherine Moriarty and Curator, Archive Gallery, Whitechapel Gallery, Nayia Yiakoumaki. Simon Costin is the Director of The Museum of British Folklore, an art director and set and exhibition designer. His work has been presented across major institutions including the ICA, London and The Metropolitan Museum of Art, New York. Dr Catherine Moriarty is Curatorial Director of the University of Brighton Design Archives and Principal Research Fellow in the Faculty of Arts.

Max Mara Art Prize winner Laure Provost at the Whitechapel Gallery

Laure Prouvost, Swallow (2013), film still, Digital video,
Courtesy the artist and MOTINTERNATIONAL

Laure Prouvost, winner of the Max Mara Art Prize for Women, presents the two-part installation Farfromwords: car mirrors eat raspberries when swimming through the sun, to swallow sweet smells at the Whitechapel Gallery from 20 March – 7 April 2013. The new commission is the culmination of the fourth edition of the prize. And now, some artspeak (c) The Whitechapel.

Laure Prouvost’s work opens new horizons of meaning by unhinging the connection between language and understanding. Her new video and installation in Gallery 1 is inspired by the aesthetic and sensuous pleasures of Italy and plays on the historic idea of visiting the Mediterranean for inspiration.

Farfromwords comprises a large-scale pavilion-like structure recalling a historical panorama. A circular space is interspersed with collaged elements, including photographic prints, paint and pairs of video monitors showing footage of moving heads and feet. This immersive environment leads to an idyllic inner space revealing a new film, Swallow (2013). The gentle rhythm of breathing accompanies surrealist imagery and shots of blue skies, ripe fruit and modern-day nymphs. By conveying visual and sensory pleasure through fragments of footage, the film alludes to events and encounters from the artist’s Italian residency split between the city of Rome and rural Biella.

The exhibition will tour to the Collezione Maramotti in Reggio Emilia, Italy from 4 May – 10 November 2013, where the work will be acquired by the collection.

A book published by the Whitechapel Gallery in collaboration with Collezione Maramotti will accompany the exhibition. Exploring the stages of the fourth edition of the Prize, the publication will include an interview with the artist and Bina von Stauffenberg, Guest Curator and essays by Daniel F. Herrmann, Whitechapel Gallery Eisler Curator and Head of Curatorial Studies and Melissa Gronlund, Editor at Afterall.

On Thursday 4 April 2013 Prouvost discusses her recent work with curator Daniel F. Herrmann. The event will be accompanied by screenings of film works by the artist including extracts from Abstractions Quotidiennes (2005), Stong Sorry (2010) and It Heat Hit (2010). The ‘In conversation’ event takes place on Thursday 4 April, 7pm in the Zilkha Auditorium, Whitechapel Gallery. Tickets are £8/6 concessions. To book email tickets@whitechapelgallery.org or visit whitechapelgallery.org

The biannual Max Mara Art Prize for Women promotes and nurtures female artists based in the UK, enabling each winning artist to develop their potential by producing new works of art during a six-month residency in Italy. The judges for this fourth edition of the Prize included Iwona Blazwick [Chair]; artist Lisa Milroy; art collector Muriel Salem; galleristAmanda Wilkinson, and writer and critic Gilda Williams.

Iwona Blazwick OBE, Director, Whitechapel Gallery said:

The Whitechapel Gallery has a long tradition of premiering female artists. For the fourth edition of the Max Mara Art Prize for Women we’re pleased to present a major new work by Laure Prouvost. Prouvost is an artist with an appetite for exploring different cultures and she seizes the artistic potential of her impressions to create gripping films and installations. It is fascinating to see how she has drawn from her Italian residency, bringing together the sensuous and surreal in her work. 

Luigi Maramotti, Chairman of Max Mara said:

For the Max Mara Art Prize for Women, our aim has always been to champion and support female artists, and provide them with the gifts of time and freedom in order to create a body of work. We are delighted that the sights and sounds of Italy have so inspired Laure Prouvost in her ambitious new installation. It will be a pleasure to present her work in the Collezione Maramotti in Reggio Emilia in the summer, following her exhibition at the Whitechapel Gallery in London.

NOTES:

• Laure Prouvost was born in Croix-Lille, France, and lives and works in London. In 2011 she was awarded the Max Mara Art Prize for Women, chosen from a distinguished shortlist of artists which included Spartacus Chetwynd, Christina Mackie, Avis Newman and Emily Wardill. Laure Prouvost graduated from Central Saint Martins in 2002 and was part of the Lux Artist Associate Programme. Her work includes film, performance and installation. She has been part of group shows at Tate Britain, the ICA, Serpentine and BFI Galleries. She was awarded the EAST International Award in 2009 and a FLAMIN commission in 2011. 
• The Max Mara Fashion Group was founded in 1951 by Achille Maramotti and is now run by the next generation. It is one of the largest women’s ready-to-wear companies in the world, with 2334 stores in more than 100 different countries.
• On 29 September 2007 the Collezione Maramotti opened to the public in Reggio Emilia, Italy. For further information, please visit collezionemaramotti.org
• Whitechapel Gallery opening times are Tuesday – Sunday, 11am – 6pm, Thursdays, 11am – 9pm.Admission free. Whitechapel Gallery, 77 – 82 Whitechapel High Street, London,E1 7QX. Nearest London Underground Station: Aldgate East, Liverpool Street, TowerGateway DLR.

Text (c) Whitechapel Gallery